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The lens coatings give them very nice contrast and color rendition. They’re small, relatively easy to find, and provide excellent image quality. I particularly like the Pentax Super Takumar models, which use the screw-style M42 mount. If you’re looking for a good place to start, there are a few lens lines that vintage enthusiasts gravitate toward.
#Mirrorless camera retro full
It’s easy to end up with plastic bins full of junk lenses if you don’t make your buying decisions with purpose. There’s a big difference between vintage Leica lenses or vintage Zeiss lenses and the random Sears-branded glass you typically find at garage sales. A mirrorless camera will let you keep your eye in the viewfinder while you zoom in to check your focus, or enable focus peaking, which uses striped graphics to show you what part of the image will be sharp when you press the shutter. When using an old lens, you can expect to manually focus the vast majority of the time. Lastly, mirrorless cameras typically offer more features that help with focus. I could still use it, but I had to stay in liveview mode the entire time. For instance, I tried adapting the truly wonderful Contax 50mm f/1.7 C/Y mount lens to an older Canon 6D and the mirror hit the back of the lens every time I took a picture. Because mirroless cameras keep the lens much closer to the sensor, adapting older glass is much simpler.ĭSLRs also have mirrors inside that flap up and down when you take a photo and that can cause issues. If the camera’s flange distance exceeds that of the lens, you won’t be able to focus to infinity because of those pesky laws of physics. This can cause issues with vintage lenses achieving a full-range of focus. DSLRs have relatively large distances between the lens mount and the film plane (called the flange distance). If you’re currently using a DSLR, you can absolutely get into adapting vintage lenses, but it’s not quite as simple as it is with mirrorless. Adapting lenses is easier with mirrorless cameras Some adapters have built-in control rings to help adjusting aperture. Buy the wrong gear and you could end up with lackluster performance or even damaging your camera. But you don’t have to spend huge cash to get fun old glass.īefore you fire up your eBay account and order up copious amounts of vintage glass, it’s worth doing a little research and prep work to make sure you’ll get your desired result. Collectors call that lens the “dream lens” for a reason other than its high price. In fact, more and more moviemakers are relying on vintage cinema lenses to get unique looks.
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He used a classic Canon 50mm f/0.95 lens to create the surreal blur in some of the scenes. Vintage camera lenses are having a moment right now thanks to director Zack Snyder and his recent Netflix movie, Army of the Dead. Most of them won’t match the pure imaging prowess offered by brand new glass, but some offer unique and stylish looks that may scratch your artistic itch. Check out the second-hand market, however, and you’ll find a myriad of vintage lenses, many of which can adapt easily and cheaply to your fancy modern camera body. Unfortunately, those metal-and-glass cylinders can get mighty pricey, especially if you want the latest and greatest models. There are few things as exciting for photographers as getting a new lens.